Thank you so much--I'm glad you liked it. I confess I always look forward to your comments <3
And the duality! Setting “War Paint” in a shower; the gift that’s a call that’s an inside joke that’s probably a paradox; the penance that’s not necessary but welcome, &c. Heh. Largely unintentional :-) I love it when people reading bring extra depth to what you wrote.
(“Gift” was somehow both sad and hopeful and romantic all at once. Whenever I watch that scene now I’m going to think of it.) Others have said the same thing as well, and it makes me unimaginably happy. I've been thinking of that scene that way for ages, and now it's like I've infected everybody else with it, lol.
“Because she can.” <3 Heh. It's like she's always walking around going 'if I'm going to do this, I'm going to do it ALL THE WAY."
There is a meeting, a moment that she can’t yet place. It exists in her mind . . . Writing is always crammed full of beautiful descriptions of emotion. Why do so few people ever talk about what it's like to think (analytically speaking)? Or when they do it's always horribly bland--really skeletal mentions, just enough to push the plot on. Somebody had to rectify the imbalance.
The see-saw is such a great description, I don’t even. I'm really proud of that one. I was trying to figure out why cause/effect paradoxes in time loops don't bother me and the image popped into my head. It was like, how could you make someone else see the whole loop spatially, all at once, rather than as a series of events?
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And the duality! Setting “War Paint” in a shower; the gift that’s a call that’s an inside joke that’s probably a paradox; the penance that’s not necessary but welcome, &c.
Heh. Largely unintentional :-) I love it when people reading bring extra depth to what you wrote.
(“Gift” was somehow both sad and hopeful and romantic all at once. Whenever I watch that scene now I’m going to think of it.)
Others have said the same thing as well, and it makes me unimaginably happy. I've been thinking of that scene that way for ages, and now it's like I've infected everybody else with it, lol.
“Because she can.” <3
Heh. It's like she's always walking around going 'if I'm going to do this, I'm going to do it ALL THE WAY."
There is a meeting, a moment that she can’t yet place. It exists in her mind . . .
Writing is always crammed full of beautiful descriptions of emotion. Why do so few people ever talk about what it's like to think (analytically speaking)? Or when they do it's always horribly bland--really skeletal mentions, just enough to push the plot on. Somebody had to rectify the imbalance.
The see-saw is such a great description, I don’t even.
I'm really proud of that one. I was trying to figure out why cause/effect paradoxes in time loops don't bother me and the image popped into my head. It was like, how could you make someone else see the whole loop spatially, all at once, rather than as a series of events?
Thank you again for the lovely comment <3